Russian Ark (2002 Film)

Russian Ark, Русский ковчег, Russkij Kovcheg, is a 2002 experimental historical drama film directed by Alexander Sokurov. it absolutely was recorded entirely in the Winter Palace of the Russian State habitation museum on 23 Dec 2001 employing a single 96-minute Steadicam sequence shot. The film was entered into the 2002 cannes festival.

Russian film maker Alexander Sokurov skint boundaries together with his dreamlike vision of the habitation in St. Petersburg, Russian Ark. it is the initial feature-length narrative film shot in a very single take (on digital video, employing a specially designed disc rather than tape). Russian Ark is shot from the point-of-view of an unseen narrator, as he explores the depository and travels through Russian history.

The audience sees through his eyes as he witnesses Peter the good (Maksim Sergeyev) abusing one amongst his generals; Catherine the good (Maria Kuznetsova) urgently looking for a bathroom; and, in the grand finale, the splendid great Royal Ball of 1913. The narrator is eventually joined by a satirical and eccentric 19th century French Marquis (Sergey Dreiden), who travels with him throughout the massive grounds, encountering numerous historical figures and viewing the legendary artworks on show. whereas the storyteller solely interacts with the Marquis (he looks to be invisible to any or all the opposite inhabitants), the Marquis often interacts with guests and former residents of the museum.

The film was clearly shot in one day, but the solid and crew rehearsed for months to time their movements precisely with the flow of the camera while capturing the complex narrative, with elaborate costumes from different periods, and several other journeys resolute the outside of the museum. Tilman Büttner, the director of photography, was liable for capturing it all in one single Steadicam shot.

Russian Ark received high essential acclaim. Roger Ebert wrote, “Apart from the rest, this is one of the best-sustained concepts i’ve got ever seen on the screen. The result of the unbroken flow of pictures (experimented with in the past by directors like Hitchcock and soap Ophüls) is uncanny. If cinema is usually surreal, then each edit is an waking up. Russian Ark spins a daydream product of centuries.”

Rotten Tomatoes gave the film an 88 “fresh” rating, with this accord review summary: “As victorious because it is ambitious, Russian Ark condenses 3 centuries of Russian history into a single, uninterrupted, 87-minute take.” On Metacritic, that uses an average of critics’ reviews, the film has an 86/100 rating, indicating “universal acclaim”.

Slant Magazine graded the film 84th in its list of the most effective films of the 2000s. in a critics’ and readers’ poll by Empire magazine, it was voted the 358th greatest film of all time.

Russian Ark received the Visions Award at the 2002 Toronto International Film-Festival, a Special Citation at the 2003 San Francisco Film Critics Circle Awards and {also the} 2004 Silver cathartid Award for Best Foreign Film from South American country Film Critics Association; it had been also appointive for the Palme d’Or at the 2002 Cannes Film-Festival, the Golden Hugo at the 2002 Chicago International Film-Festival and also the 2004 Nika Award for Best Film.

In addition, Alexander Sokurov was named Best Director at Fancine in 2003 and was appointive for the 2002 European Film Award for Best Director. photographer Tilman Büttner was also appointed for varied awards for his work on the film, together with a ecu Film Award and a German Camera Award.

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